Jump to Navigation
MovingCinema
Contact
Twitter
Instagram
English
Català
Español
Français
Lietuvių
Português
Deutsch
Slovenščina
Presentation
Films
Processes
Festivals
Credits
Origin and preparatory writing
Inspiration
Personal notes
Documentation
Screenplay
Character descriptions
Visual and audio design
Location
Visual references
Color palette
Costume design
Drawings and sketches
Camera, format, optics
Characters, actors and rehersals
Documentation and casting
Rehearsals
Shooting
Sequence list
Work plan
Shooting orders
Script breakdown
Making of
'Story of a shot'
Post-production
Stories of shots and sequences
Sound mixing
Editing Design
Origin and preparatory writing
-Inspiration
-Personal notes
-Documentation
-Screenplay
-Character descriptions
Visual and audio design
-Location
-Visual references
-Color palette
-Costume design
-Drawings and sketches
-Camera, format, optics
Characters, actors and rehersals
-Documentation and casting
-Rehearsals
Shooting
-Sequence list
-Work plan
-Shooting orders
-Script breakdown
-Making of
-'Story of a shot'
Post-production
-Stories of shots and sequences
-Sound mixing
-Editing Design
Highlights
Camera, format, optics
Kekec
(Slovenia, 1951)
Jože Gale
A 60 kilos weight camera and a 40 ASA film
Visual references
Estiu 1993
(Spain, 2017)
Carla Simón
Sequence-inspiring images
Stories of shots and sequences
Dreams of Centenarians
/ Šimtamečių Godos
(Lithuania, 1969)
Robertas Verba
Portraying old people
Editing Design
La reconquista
(Spain, 2016)
Jonás Trueba
Thinking the editing on paper
Stories of shots and sequences
Estiu 1993
(Spain, 2017)
Carla Simón
Notes on final script
Stories of shots and sequences
Estiu 1993
(Spain, 2017)
Carla Simón
Forest sequence and unedited sequence
Camera, format, optics
A Trip Across Misty Meadows
/ Kelionė ūkų lankomis
(Lithuania, 1973)
Henrikas Šablevičius
A noisy and clumsy Konvas camera in a cozy environment
Visual references
Estiu 1993
(Spain, 2017)
Carla Simón
Atmosphere, colour, light, camera. Aesthetic aim.
Visual references
La reconquista
(Spain, 2016)
Jonás Trueba
Visual memory of an oral script with clues towards the filming
Drawings and sketches
O Sangue
(Portugal, 1989)
Pedro Costa
O Sangue’s storyboard
Stories of shots and sequences
Dreams of Centenarians
/ Šimtamečių Godos
(Lithuania, 1969)
Robertas Verba
Discarded footage and length of film stock
Color palette
La reconquista
(Spain, 2016)
Jonás Trueba
Colour palette and costumes
Color palette
La reconquista
(Spain, 2016)
Jonás Trueba
Swing palette
Rehearsals
Viaje al cuarto de una madre
(Spain, 2018)
Celia Rico
To sew, a vocation
Character descriptions
Estiu 1993
(Spain, 2017)
Carla Simón
Frida’s character
Coming soon
'Story of a shot'
Pierrot le fou
(France, 1965)
Jean-Luc Godard
Marianne sobre fondo de tejado
Rehearsals
La reconquista
(Spain, 2016)
Jonás Trueba
Rehearsals: reading a letter
Screenplay
Dreams of Centenarians
/ Šimtamečių Godos
(Lithuania, 1969)
Robertas Verba
Script with locations of the centenarians to be filmed in
Visual references
O Sangue
(Portugal, 1989)
Pedro Costa
Visual inspiration for the film
Inspiration
Viaje al cuarto de una madre
(Spain, 2018)
Celia Rico
A cloth-covered brazier table: a haven in mother’s room
Inspiration
Viaje al cuarto de una madre
(Spain, 2018)
Celia Rico
The bed: photographs, sculptures and texts
Top
